Year: 2015, 2015
Member of: Trent University Graduate Thesis Collection
Abstract: <p>This three-part history explores Web 2.0's ability to make music products a collaborative, ongoing creative process that is reflective of early twentieth century live-music publics, where the realization of a performance was actualized by performers together with their audience in a shared physical space. By extension, I follow the changing dynamic of the producer/consumer… more Full Text: AUTHENTICITY, AUTHORITY AND CONTROL: HOW ROCK ARTISTS ARE RESPONDING TO THE POSSIBILITY OF COLLABORATIVE MUSIC PUBLICS ONLINE A Thesis Submitted to the Committee of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of …