This thesis addresses the inclusion of women within Classic Maya works of art, consisting of, for this purpose, private-consumption ceramic vessels and large scale public monuments. Through the use of Feminist and Gender Theory, Performance Theory, and Iconographic Theory, the roles of women in iconographically depicted ceremonial performance is assessed. A Microsoft Access database was constructed in order to look at various aspects of female depiction, including but not limited to, bodily action, costume, and paraphernalia. The context, individual action, and associated paraphernalia of women performing numerous roles were analyzed, in which women were found to participate in many of the same roles as men, although there are some roles from which either men or women are excluded, and certain paraphernalia items with which women are not associated.
Author Keywords: Archaeology, Feminism, Gender Theory, Iconography, Maya Art, Performance Theory