Baban, Feyzi

This project examines the development and deployment of mediation frameworks in Canada with the goal of advocating for the restoration of dispute resolution as the site of democratic politics. In doing so we enlist the work of Petyr Kropotkin's theory of Mutual Aid and a brief history of Alternative Dispute Resolution in Canada to identify procedural differences in mediation processes that separate interest mediation, rights mediation and litigation. We then turn to two separate analyses of these differences. The first utilizes the theoretical framework of Jacques Rancière. The second examines the work of Hannah Arendt. Despite the significant differences in their approaches, the work of Rancière and Arendt, in admittedly different ways, show that interest mediation holds the greatest potential for approaching dispute resolution as an exercise in democratic politics. As a result the project advocates for the expansion or further empowerment of interest mediation as a way of securing and ensuring the continued development of Canada as a democratic community.

Author Keywords: Alternative Dispute Resolution, Hannah Arendt, Jacques Rancière, Mediation, Mutual Aid, Petyr Kropotkin

The thesis examines the changes in the representations of women in Turkish cinema from the 1980s through the 2000s in terms of semiotic codes. To demonstrate the shifts of the representations of women over three decades, four films directed by two representative filmmakers of the 1980s and the 2000s are analyzed within the context of gender codes: A Sip of Love (Atıf Yılmaz/1984), The Night, Angel and Our Gang (Atıf Yılmaz/1994), The Third Page (Zeki Demirkubuz/1999) and Envy (Zeki Demirkubuz/2009). Using gender as code in deconstructing women's characteristics and their representations in the films, the research highlights the structural image of women in the semiotic sense. The stereotypical representations in Turkish cinema question social norms, patriarchy, and Islamic norms in Turkey.

Author Keywords: Gender codes, Islam, Patriarchy, Semiotics, The representations of women , Turkish cinema

This thesis explores the experience of Jewish individuals living in a small Jewish community in an urban centre of less than 100,000 in Ontario, Canada. The central question I explore is the ways in which Jewish individuals in a small community enact and perform their identity. What are some of the challenges and obstacles faced by Jews in a small community and what kinds of compromises must be made to accommodate members of the community? Do the benefits of living in a small Jewish community outweigh the shortcomings? This thesis examines how Jewish identity is constructed, maintained and challenged within a smaller urban centre.

I begin with a brief historical background of the Jewish presence in Canada. I will look through the lens of Jewish identity within the framework of Canadian multiculturalism, and reasonable accommodation. Jewish identity will then be explored through an intersectional framework. Using qualitative interviews conducted with Jewish individuals, an analysis of common themes and issues pertaining to Jewish identity and maintenance is explored. These themes include Religious observance, cultural identity, Jewish customs and traditions, social action and advocacy. These themes were divided between those of a more individual nature and those of a more communal nature.

For participants in this research, managing and maintaining their Jewish identity consisted of balancing their religious and cultural life with their social, work, and other obligations outside the sphere of Jewish identity. The relationship between White identity and Jewish identity is a focal point of study. The synagogue/community centre acts as the primary place in which to express, share, and connect with other Jews.

Author Keywords: Assimilation, Community, Intersectionality, Jewish Identity, Multiculturalism, Reasonable Accommodation