Pendleton Jiménez, Karleen KPJ

"Bow Down, Bitches" How Beyoncé's Art Reflects and Contributes to the Notions of Sisterhood, Female Empowerment, and Intersectionality within the Framework of Black Feminist Thought

Type:
Names:
Creator (cre): Never, Alana, Thesis advisor (ths): Henderson, Scott SH, Degree committee member (dgc): Pendleton Jiménez, Karleen KPJ, Degree committee member (dgc): Avdeeff, Melissa MA, Degree committee member (dgc): Epp, Michael ME, Degree granting institution (dgg): Trent University
Abstract:

This thesis examines Beyoncé's art within the context of Black feminist thought, specifically focusing on how her work reflects and contributes to the themes of sisterhood, female empowerment, and intersectionality. A comprehensive analysis of her songs and performances will demonstrate how Beyoncé's art advocates for unity, female empowerment, particularly for Black women, and encourages sisterhood and support. The results reveal that Beyoncé's art serves as a powerful tool to challenge societal norms, address racial and gender inequalities, and advocate for justice, especially in the lives of Black women. Through her music and performances, Beyoncé has become a powerful example of using popular music as a medium for social change and cultural empowerment. This research highlights the significance of her contributions to the ongoing conversations surrounding race, gender, and socioeconomic factors, underlining the powerful influence of her art in encouraging a more inclusive society.

Author Keywords: Beyoncé, Black Feminist Thought, Female Empowerment, Gender inequalities, Intersectionality, Sisterhood

2024