History

The 1980s in the United States have come into focus as years of extensive ideological and socioeconomic fracture. A conservative movement arose to counter the progressive gains of previous decades, neoliberalism became the nation's economic mantra, and détente was jettisoned in favour of military build-up. Such developments materialized out of a multitude of conflicts, a cultural crisis of ideas, perspectives, and words competing to maintain or rework the nation's core structures.

In this dissertation I argue that alongside these conflicts, a crisis over technology and its ramifications played a crucial role as well, with the American public grasping for ways to comprehend a nascent technoculture. Borrowing from Andrew Feenberg, I define three broad categories of popular conceptualization used to comprehend a decade of mass technical and social transformations: the instrumental view, construing technology as a range of efficient tools; the substantive view, insisting technology is an environment that determines its subjects; and a critical approach, which recognizes the capacity for technology to shape subjects, but also its potential to aid new social agendas. Using Feenberg's categories as interpretive lenses, I foreground these epistemologies in three of the decade's most popular formations of literary science fiction (sf), and describe the broader discourses they participated in: military sf is connected to military strategy and weapons development (instrumental), cyberpunk to postmodernism and posthumanism (substantive), and feminist sf to feminist theory and politics (critical). These were not just discursive trajectories, I claim, but vital contributors to the material construction of what Antonio Gramsci would call hegemonic and counterhegemonic formations. While the instrumental paradigm was part of the decade's prevailing hegemonic make-up, substantive and critical discourses offered an alternative to the reality of cowboy militarism and unchecked technological expansion.

By engaging with the decade's texts—from There Will Be War to RoboCop to "A Cyborg Manifesto"—I hope to illuminate what I call the technology of consent, the significance of technological worldviews for modern technocultures, where such views are consented to by subaltern groups, and at the same time the existence of consent itself as a kind of complex social technology in the first place.

Author Keywords: American History, Discourse, Hegemony, Science Fiction, Technoculture, Technology

This thesis provides an analysis of the Carnegie Commission's report on the causes and consequences of the Balkan Wars (1912-1913). Shortly after the closing of hostilities, the Carnegie Endowment for International Peace appointed an international Commission of Inquiry to collect evidence of atrocities from the sites of war. The thesis analyzes the arguments expressed in the Commission's report as an example of European and American attitudes towards the Balkans. The concept of Balkanism provides a theoretical framework according to which the Commissioners' views are contextualized within the existing stereotypes of the region. Based on the correspondence available in the archives of the Carnegie Endowment for International Peace, the memoirs and biographies of the various members of the Commission, and the information published in periodicals, this work also examines the justifications for the appointment of the Commission, the circumstances related to the investigation of atrocities and the reaction of Balkan governments to the report.

Keywords: Carnegie Report, Carnegie Commission, Carnegie Endowment for International Peace, Balkan Wars, Balkanism.

Author Keywords: Balkanism, Balkans, Balkan Wars, Carnegie Commission, Carnegie Endowment, Carnegie Report

In dialogue with the critical scholarship on war and remembrance, my research deals with the construction, contestation and negotiation of collective memory in contemporary Vietnam with a focus on commemorations devoted to dead soldiers. Utilizing the methodologies of cultural studies and ethnography, this research seeks to comprehend the politics of memory which characterize collective memory as a social phenomenon whose meanings, interpretations and forms are variedly constructed from a certain social group to the next. Empirically, in this research, constitutive elements of Vietnamese postwar memoryscapes including the hero-centered discourse sanctioned by the Communist Party and the Socialist state, the family remembrance rooted in religious and kinship mandates and the newly emerged online ecology of memory are examined in their own nature as well as in their complicated intertwinements and constant interactions with each other. Case studies and specific methods of individual interview, participant observation and cultural analysis enable the author to approach and identify a wide range of forms and intersections between official and vernacular practices, between oral and living history and institutionalized and cultural presentations of memory. While considering these issues specifically in the Vietnamese context, my dissertation contributes to the increasing theoretical debates in the field of memory studies by exploring the relation of power and the symbolic struggle within and between different social agents involved. As it emphasizes the dynamic and power of memory, this research furthermore situates the phenomenon of collective memory in its dialogues with a broader cultural political environment of postwar society, which is characterized as a hybrid condition embracing processes of nationalism, modernization and post-socialist transformation. Significantly, during these dialogues, as demonstrated in this research, memory works embrace presentism and future-oriented functions which require any social group who is involved to negotiate and renegotiate its position, and to structure and restructure its power. Last but not least it must construct and reconstruct its own versions of the past.

Author Keywords: collective memory, Dead soldiers, postwar society, Socialist Vietnam, the politics of memory, war remembrance

Carlism and anarchism were revolutionary social movements that acquired significant popular support during the most intensive period of modernization in Spain (mid 19th to mid 20th centuries). It was noted but not well explored by contemporaries and historians that these enemies were similar in their hostility towards modernization and in their intense idealism. This thesis compares the two movements in order to determine the nature of their commonality and what this suggests about ideological enemies. A range of sources were consulted, including scholarship on modern Spain, biographical information on individuals who converted from Carlism to anarchism and contemporary print media. It was concluded that they were produced by the same destabilizing processes of disentailment and industrialization, which drew the working classes towards proposals that would have otherwise seemed implausibly utopian. The thesis further suggests that they were uniquely idealistic, in that they put moral integrity before the success of their cause.

Author Keywords: anarchism, Carlism, enemy other, modernization, Modern Spain, social movements

British pornographic texts arguing the texts were part of a wider cultural discourse on luxury, criticising the upper echelons of society for their decadent and vice-ridden lifestyles. Pornographic texts consistently portray the elites of Britain as partaking in sexual deviances including lesbianism, sex with dolls, dildos and household objects. The portrayals could be dismissed as tales fabricated for the titillation of the reading audience except that medical texts of the period diagnose the diseases of nymphomania and satyriasis, the rough equivalent of modern sexual addiction, as primarily affecting those of the upper class. Lifestyle was the key to diagnosis; luxurious living was thought to weaken the elite body rendering it vulnerable to excess sexual passions. Therefore, the hyper-sexual elite in pornographic texts reflected the contemporary cultural understandings of lifestyle and physiology.

Author Keywords: Britain, culture, eighteenth century, nymphomania, pornography, sexuality