Year: 2021, 2021
Member of: Trent University Graduate Thesis Collection
Abstract: <p>The thesis examines the changes in the representations of women in Turkish cinema from the 1980s through the 2000s in terms of semiotic codes. To demonstrate the shifts of the representations of women over three decades, four films directed by two representative filmmakers of the 1980s and the 2000s are analyzed within the context of gender codes: A Sip of Love (Atıf Yılmaz/1984), The… more Year: 2018, 2018
Member of: Trent University Graduate Thesis Collection
Name(s): Creator (cre): Patnaik, Anhiti, Thesis advisor (ths): Bordo, Jonathan, Thesis advisor (ths): Thomas, Yves, Degree committee member (dgc): Penney, James, Degree committee member (dgc): Bailey, Suzanne, Degree granting institution (dgg): Trent University Abstract: <p>This dissertation examines how sex crime and serial killing became a legitimate subject of aesthetic representation and mass consumption in the nineteenth century. It also probes into the ethical implications of deriving pleasure from consuming such graphic representations of violence. Taking off from Jack the Ripper and the iconic Whitechapel murders of 1888, it argues that a new… more Year: 2016, 2016
Member of: Trent University Graduate Thesis Collection
Name(s): Creator (cre): Potempski, Jacob, Thesis advisor (ths): Angelova, Emilia, Degree committee member (dgc): Egan, Kelly, Degree committee member (dgc): Penney, James, Degree committee member (dgc): Junyk, Ihor, Degree granting institution (dgg): Trent University Abstract: <p>The three projects that make up this dissertation try to articulate an ontological idea of art; which is to say, they all approach art, or the imagination (as in project two), from the standpoint of a philosophical question concerning the sense of being. The ontological question is elaborated in terms of a theory of the spatial-temporal structure of the aesthetic or sensible realm. This… more
