Philosophy

Crutzen and Stoermer's (2000) announcement of the Anthropocene draws attention to the agentic nature of the nonhuman world as it appears to be striking back against human intervention through an environmental crisis that is threatening humans and nonhumans alike. Their narrative reveals complex relationalities where humans are now revealed to beinseparable from the nonhuman world and both the material and discursive nature of their practices (historical, social, economic, and political) prove to be central to (re)shaping the earth, causing climate change, species extinctions as well as racism, sexism, and slavery. Rising sea levels is an important aspect of climate change that threatens major coastal places with disappearance. My dissertation offers a new approach that uses Karen Barad's (2003; 2007; 2017) agential realism and diffractive methodology to study a place called Lyme Regis – a town in west Dorset, England, threatened with disappearance as a result of rising sea levels caused by climate change – as an agential phenomenon shaped by complex multilayered material-discursive practices (political, economic, scientific, and social). Whereas current research on Barad's philosophy mainly focuses on discussions about the theory: explaining, critiquing, or defending (Gandorfer 2021; Lettow 2017; Graham 2016; Segal 2014; Geerts 2013; 2016; 2021; van der Tuin 2011; Alaimo and Hekman 2008; Rouse 2004 and more ), my project is the first ethico-political study of a place, Lyme, that applies Barad's agential realist perspective by engaging the activism of Barad's concept of "re-membering." The processual nature of the concept is particularly relevant today since its nonlinear understanding of time allows me to see how past violent material and discursive practices (racism, sexism, and slavery) at Lyme unfolds in the present troubled time of the Anthropocene. This process of re-membering that I undertake in this study involves concurrently examining the overlapping historical, economic, scientific, literary, and geological intra-acting practices through a method that Barad describes as diffractive reading. I rethink these practices in their relation to material practices and illuminate multiple layers of meaning and relationalities that constitute Lyme as an agential phenomenon, unsettling boundaries between humans and nonhumans, epistemology and ontology, material and discursive practices as well as boundaries between scientific, historical, cultural, and literary aspects of life. Therefore, within the context of the Anthropocene, chapter one rethinks how the scientific discourse (re)shapes nature and demonstrates how prioritizing the needs of human over nonhuman inhabitants in the name of saving Lyme could entail the destruction of both. Chapter two rethinks the dehumanizing and marginalizing effect of the scientific discourse by illuminating the agentic role of Mary Anning and Saartjie Baartman in the apparatus of scientific knowledge production that earned Lyme its heritage status. Finally, chapter three rethinks the entangled nature of scientific and literary practices, arguing for an agential realist account of the sublime that celebrates Lyme as a place of transformative human-nonhuman kinship based on Austen's elaborate depiction in Persuasion (1817). This reading shows science and literature as material-discursive practices operating along the unsettled boundaries between the novel and everyday life, allowing us to rethink Austen's writing as a process in constant flux.

Author Keywords: Agential Realism, Anthropocene, Diffractive Methodology, Lyme Regis, Persuasion, Posthumanist Sublime

This dissertation sought to examine how reactionary influencers on YouTube are able to create 'gateways' towards audience tolerance and even desire to enact violence against marginalized groups, particularly those groups relating to gender performance. for the purposes of YouTube moderation. This dissertation uses the perspectives of affect theorists Ahmed, Berlant, and Tomkins, and the gender theories of Connell and Butler to divide the examined influencers into two categories, gurus and prophets. Prophets, such as Tucker Carlson or the Prager U platform, presented already existing hegemonic narratives about gender norms as ontological truths that were key to the coherence of both society and individual identity. Meanwhile, gurus like Andrew Tate presented themselves as teachers whose ability to embody hegemonic masculine norms gave them both the wisdom and authority to convert loyal viewers into successful men like them. Both categories of reactionary influencer were examined with a focus on both rhetoric and modelling of masculinity and the performance thereof. While both categories worked to align viewers with fascist ideology through emphasizing hatred, fear, and anger towards real-world events while connecting feelings of hope, joy, and desire to quasi-gnostic mythic perspectives around masculine sovereignty, they presented significant differences in method and target audience. This has significant implications for attempts at deradicalization and resistance to the increasing tide of fascism in mainstream society. Another significant finding was that affective connections to reactionary beliefs were almost all found to originate with mainstream narratives around gender norms, particularly with regards to masculine success and authority under capitalism. Overall, this dissertation's findings strongly counter mainstream assumptions that extremist reactionary ideology comes from a discrete fringe source rather than as a direct result of existence within a vicious capitalist social system that prioritizes White male comfort over the ability of ethnic and gender minorities to express any shred of agency.

Author Keywords: Affect, Extremism, Fascism, Internet, Masculinity, Performativity

Crutzen and Stoermer's (2000) announcement of the Anthropocene draws attention to the agentic nature of the nonhuman world as it appears to be striking back against human intervention through an environmental crisis that is threatening humans and nonhumans alike. Their narrative reveals complex relationalities where humans are now revealed to beinseparable from the nonhuman world and both the material and discursive nature of their practices (historical, social, economic, and political) prove to be central to (re)shaping the earth, causing climate change, species extinctions as well as racism, sexism, and slavery. Rising sea levels is an important aspect of climate change that threatens major coastal places with disappearance. My dissertation offers a new approach that uses Karen Barad's (2003; 2007; 2017) agential realism and diffractive methodology to study a place called Lyme Regis – a town in west Dorset, England, threatened with disappearance as a result of rising sea levels caused by climate change – as an agential phenomenon shaped by complex multilayered material-discursive practices (political, economic, scientific, and social). Whereas current research on Barad's philosophy mainly focuses on discussions about the theory: explaining, critiquing, or defending (Gandorfer 2021; Lettow 2017; Graham 2016; Segal 2014; Geerts 2013; 2016; 2021; van der Tuin 2011; Alaimo and Hekman 2008; Rouse 2004 and more ), my project is the first ethico-political study of a place, Lyme, that applies Barad's agential realist perspective by engaging the activism of Barad's concept of "re-membering." The processual nature of the concept is particularly relevant today since its nonlinear understanding of time allows me to see how past violent material and discursive practices (racism, sexism, and slavery) at Lyme unfolds in the present troubled time of the Anthropocene. This process of re-membering that I undertake in this study involves concurrently examining the overlapping historical, economic, scientific, literary, and geological intra-acting practices through a method that Barad describes as diffractive reading. I rethink these practices in their relation to material practices and illuminate multiple layers of meaning and relationalities that constitute Lyme as an agential phenomenon, unsettling boundaries between humans and nonhumans, epistemology and ontology, material and discursive practices as well as boundaries between scientific, historical, cultural, and literary aspects of life. Therefore, within the context of the Anthropocene, chapter one rethinks how the scientific discourse (re)shapes nature and demonstrates how prioritizing the needs of human over nonhuman inhabitants in the name of saving Lyme could entail the destruction of both. Chapter two rethinks the dehumanizing and marginalizing effect of the scientific discourse by illuminating the agentic role of Mary Anning and Saartjie Baartman in the apparatus of scientific knowledge production that earned Lyme its heritage status. Finally, chapter three rethinks the entangled nature of scientific and literary practices, arguing for an agential realist account of the sublime that celebrates Lyme as a place of transformative human-nonhuman kinship based on Austen's elaborate depiction in Persuasion (1817). This reading shows science and literature as material-discursive practices operating along the unsettled boundaries between the novel and everyday life, allowing us to rethink Austen's writing as a process in constant flux.

Author Keywords: Agential Realism, Anthropocene, Diffractive Methodology, Lyme Regis, Persuasion, Posthumanist Sublime

The goal of this dissertation is to formulate a critique of embodiment through the lens of Lacanian psychoanalysis and in the context of digital media and intelligent technologies. Along with psychoanalysis, our research methodology and philosophy are informed by Badiou's philosophy of the event, Stiegler's philosophy of technics and infrastructuralism in media studies. Our study aims to uncover and articulate the implicit conditioning by the primordial trauma constitutive of the subject's encounters with the medium. In our analysis of embodiment, we make extensive use of psychoanalytic concepts such as: the breach, the lack, the signifier, the construction of the object, the object-a, the transitional object, fetishism and phobia. Each of the four parts of the dissertation approaches the topic from a specific angle, such as the theoretical critique of the basic concepts of the subject and object, the function of the metaphor in the context of intelligent technologies, the role of technological infrastructure in the embodiment of the trauma, the construction of a transitional object such as a pop song in the context of technological dystopianism. We demonstrate that the cognitivist presumption concerning the pivotal role of intellectual motivation behind the subjective attachment to information technologies can be significantly shaken from the point of view of the psychoanalytic understanding of drives and jouissance. On the basis of Alain Badiou's argument, we show the limitations of structurally-determined forms of embodiment considered by psychoanalysis and draw a dividing line between them and the more rare cases of the subjectivation by events suggested by Badiou's theory. We discuss Badiou's concept of the work of truth as an advanced alternative to the psychoanalytic concept of the object and the paradigm of the construction of the (transitional) object. We distinguish the Badiouian concept of the event from the idea of technological/digital disruption, on the one hand, and correlate the latter with the problems discussed in psychoanalysis such as the foreclosure of the Name-of-the-Father and the crisis of the paternal metaphor along with the problems of the futurity and the disruption of intergenerational communication discussed by Bernard Stiegler on the other.

Author Keywords: Badiou, digital media, Lacan, metaphor, transitional object, work of truth

The central question of this research is "What is poetry?" The ambiguity and unintelligibility of the question itself forces the writing to take two different approaches to it. The first approach is to define poetry not by what it is but by how it is related to the human being and to the world. Seeing poetry as its relation to Being allows a definition of poetry based on its function. This approach draws on philosophical discussions how poetry is related to the human and how Being can be extended into poetic creation. Martin Heidegger's move from seeing poetry as the possibility of worldmaking to seeing it as a place of dwelling, and, in his later works, as unconcealment and the extension of Being as the House of Being, marks the direction of philosophical discussions in this paper. In this sense, poetry is defined as a creative possibility, where the speaking being comes in close contact with the speaking things and speaks of being.The second approach is to define poetry not as a whole but as some of its essential parts, as "poetic imagination" for instance. This attempt to define the poetic imagination draws on long-running discussions of imagination, metaphor, metaphorical thinking, image and imaging. It also relies on Freud's discussions of how dreams function as textual phenomena: the poetic imagination, this approach argues, is similar to dreaming. The poet's conscious and unconscious engagements with language create an uncanny experience where the relation between object and its poetic image is simultaneously known and unknowable. The third part of this study focuses on Lacan's move from the symbolic unconscious to the real unconscious, in order to shed light on how the real is related to its linguistic reality. This brings the discussion to a point where language is replaced by lalangue in order to knot the real directly to the symbolic.

Author Keywords: poetic creation, poetic imagination, poetry

The following thesis problematizes different theories of subject formation in relation to morality, accountability, and consciousness raising. Focusing on the conditions subjects emerge in, I argue that socially transformative subjectivities emerge in movement through spaces. The theoretical discussion departs from the premise that morally accountable subjectivities drive social change. The politics of positionality that anchor the subject in a particular social location conceptualize morality as the result of critical consciousness raising. The causal nature of the relationship between the subject's ability to reflect back on itself and its moral capacity is problematic for it leaves the reflective subject in a position of epistemic and moral authority. Rather, a subject who does not fully know itself nor the conditions of its being has the ability to engage in moral inquiry. Grounding subject formation in epistemic uncertainty construes the subject as inherently accountable to other unknowing subjects. Transformative subjectivities emerge out of epistemic resistance and uncertainty. The particular understanding of morality that underlies the rethinking of my moral subject emanates from its relational constitution. A morality of care prioritizes the responsibilities a subject has to others. In the context of Covid-19, relational subjects act in accordance with a morality of care that leads them to intervene in the lives of others who are threatened by the virus and left unprotected by institutional structures. The desire to interfere is cultivated when subjects emerge in ontological fields generated through epistemic intervention. One way to create such interventions is through counter-hegemonic cultural production such as works of art.

ABSTRACT

The Ethics of Being-With: Exploring Ethics in Heidegger's Being and Time

Adam Rejak

Martin Heidegger is perhaps best known for his work Being and Time, in which he tries to re-discover what he deems to be a forgotten question; the meaning of being. However, what many have missed in this work is the ethical potential it presents, particularly through his notion of Mitsein. This thesis will discuss how the history of philosophy has misunderstood the question of intersubjectivity. Throughout the history of philosophy, there has been a tendency to focus on detachment of the subject, rather than an engaged existence. Heidegger overcomes this by introducing the concept of Mitsein and allowing us to think of being-with one another as something which is integral to our very being, rather than something which comes to us through detached reflection. The consequences of this re-interpretation are significant for ethics because our starting point is always-already with others, rather than isolated and alone.

Author Keywords: Being-with, Ethics, Heidegger, Intersubjectivity, Mitsein

This thesis is a theoretical study of Facebook's surveillance project. It begins by taking one of the predominant organizational forms of modern surveillance, Foucaultian panopticism, and examining the ways in which its form, along with Foucault's broader model of the disciplinary society, is realized, remixed and extended by Facebook's virtual form. Following this evaluation, the remainder of the thesis proposes a model to augment this panoptical analysis.

The first part of this model uses Deleuze and Guattari's philosophy of the rhizome to explain the structural design and advantages of Facebook's network, while the second part deploys Zygmunt Bauman and David Lyon's concept of "liquid surveillance" as a means to explain how Facebook fosters seductive conditions of self-surveillance. The thesis concludes that older forms of control, new forms of seduction and the utility of advanced technologies are responsible in tandem for the undeniably widespread success of Facebook's surveillance project.

Author Keywords: Bauman, Deleuze, Facebook, Foucault, post-panopticism, surveillance

This project is a Heideggerian critique of the subject/object metaphysic presupposed in the Representationalist claim that the world is made intelligible solely in virtue of internal states that bear representations. It is comprised of two sections. The first is a critique of the ontological primacy of representational-intentionality/action in which I argue that where Brentano, Husserl, and Searle have erred is not in their model of intentionality/action, but in assigning a priori status to a derivative mode of being. The second is a critique of representation-driven artificial intelligence whereby I argue that belief-fixation and action selection that is context-dependent produces an insurmountable problem that prevents the parsing of context-specifying relevance; the corollary being that the world is not disclosed despite that system having a structurally isomorphic internal constitution to that which is purported by the Representationalist to obtain in human beings. With the issue thus framed, I conclude by arguing that this problem is dissolved within a Heideggerian phenomenological framework.

Author Keywords: Artificial Intelligence, Heidegger, Phenomenology, Representationalism, Skillful Coping, The Frame Problem

This dissertation traces the concept of transcendentalism from Kant's Critique of Pure Reason (1781) to Michel Foucault's historical a priori and Pierre Bourdieu's field and habitus, with implicit reference to Deleuze's `transcendental empiricism,' and the influence this trajectory has had on contemporary theory and culture. This general conceptual framework is used as the basis for a critical analysis of a series of examples taken from popular culture to highlight their transcendental conditions of possibility and the influence this conceptual paradigm has had on today's theory. The examples include the NFL `concussion crisis,' South Park's problematization of the discourse surrounding it, as well as the literature of Charles Bukowski, as an exemplification of an immanent writer-written situation. It is further suggested that, not only is transcendentalism an epistemological framework for thought, but it also doubles as an ontological principle for the emergence of a constitutively incomplete and unfinished reality.

Author Keywords: Bukowski, Concussion, Foucault, Kant, South Park, transcendental