Gender studies

This thesis documents an oral history of the New Canadians Centre, the only immigrant-serving organization in Peterborough, Ontario. This case study builds on scholarship that critically examines immigrant settlement work in Canada. Drawing on interviews and archival research, and employing the analytical concept of home, I investigate how differently-located actors have practiced home and welcome in Peterborough in the context of settlement work. I demonstrate how the New Canadians Centre's work consolidated as well as challenged normative discourses of home that disadvantage racialized new immigrants and privilege white settlers represented as "host." I argue that this false binary between immigrant and host is harmful, inadequate in accounting for the complexities of people's lives, and easily reinforced in settlement work without efforts to challenge it. I conclude that accountability to power in settlement work is crucial to envisioning a more inclusive welcome and a more just home in Peterborough and Canada.

Author Keywords: home, immigrant settlement sector, migration, oral history, Peterborough, welcome

When bioarchaeologists investigate ancient gender identity, they typically place skeletal remains into one of six sex assessment categories: male, female, possible/probable male, possible/probable female, ambiguous, and indeterminate. However, the study samples are often reduced to male and female reproducing a male/female gender and sex binary prevalent in the "Western" cultural milieu and bioarchaeology when inferences are made about gender and sex in the past.

In order to allow for the existence of non-binary cultural genders and biological sexes, this thesis: 1) demonstrates the multitude of ethnographic, ethnohistoric, historic, and medical evidence relating to non-binary sex and gender expression; 2) tests a method inspired by Whelan (1991) that looks at gender as an identity not fully inspired by biological sex; 3) keeps all sex assessment categories used by bioarchaeologists separate in analysis and interpretation; and 4) analyses patterns relating to all available material culture and biological attributes in a mortuary sample to investigate gender identity.

This thesis used the Early Anglo-Saxon (470-600 AD) burial ground at Worthy Park in Hampshire to achieve these objectives. This thesis found that when examining all sex assessment categories among all mortuary variables, only the male sex was clearly defined by its mortuary assemblage. This suggests a one gender structure corresponding to linguistic evidence for one gender in Old English.

Author Keywords: Anglo-Saxon, Bioarchaeology, Gender identity, Mortuary archaeology, Osteoarchaeology, Sex determination

This thesis builds on scholarship that highlights how expected gender roles serve to both normalize and obscure forms of violence and hostility in health care workplaces. An analysis of 25 labour arbitrations involving cases of bullying reveals how gender relations is a factor in these grievances and relevant policies in Ontario health care facilities. Reinforced by underlying expectations around women as nurturing and men as aggressive, responses to bullying are found to reflect and reproduce embedded gendered power inequalities in labour. While bullying in the workplace is often treated in policy discussions as an individual and identity-neutral phenomenon, this research provides evidence to the contrary. As a consequence, we must interrogate existing legislation and policies, asking how we can develop approaches that account for, respond to, and mitigate the causes of bullying rooted in unequal power relations, including gendered ones.

Author Keywords: gender, health care, labour arbitration, policy, workplace bullying, workplace harassment

This dissertation utilizes the psychoanalytic theories of French psychoanalyst Julia Kristeva as a lens through which to read the novels of American author Samuel R. Delany. I argue that concepts proper to Kristeva's work--namely abjection and/or the abject--can provide a way to think what it might mean to be utopian in the 21st century. Delany's novels are received historically, which is to say his work speaks from a certain historical and cultural viewpoint that is not that of today; however, I claim that his novels are exceptional for their attempts to portray other ways of being in the world. Delany's novels, though, contain bodies, psychologies, and sexualities that are considered abject with respect to contemporary morality. Nonetheless, this dissertation argues that such manifestations of abject lived experience provide the groundwork for the possibility of thinking utopianism differently today. Throughout, what I am working toward is a notion that I call Abject Utopianism: Rather than direct attention toward those sites that closely, yet imperfectly, approximate the ideal, one should commit one's attention to those sights that others avoid, abscond, or turn their nose up at in disgust, for those are the sites of hope for a better world today.

Author Keywords: Abject, Delany, Kristeva, Literary Criticism, Psychoanalysis, Utopia

Since 1984, poetry slams have emerged as a politicized expressive movement of performing the personal and political through poetry competitions. Slams are also discursively spatialized, often represented as "spaces" that are "safe," "inclusive," etc. In this thesis, I investigate how, why, and to what effect the Peterborough Poetry Slam produces, consolidates, and challenges such "resistant spaces." Drawing on interviews and participant observation, I consider how the slam's reiterative practices facilitate its space-making by encouraging performances that resist, reimagine, and sometimes inadvertently reify dominant societal norms. I argue that this space-making is imperfect yet productive: though not resistant space in any straightforward or static way, the slam continuously produces possibilities to challenge norms and confront power. This thesis contributes to scholarship on performative space and creative resistance movements. In an era when political resistance to power structures is often silenced, this research offers insights of potential significance to other resistant space-makings.

Author Keywords: Nogojiwanong Peterborough, performative space, poetry slam, resistance, space-making, spoken word