Gender studies

The following thesis problematizes different theories of subject formation in relation to morality, accountability, and consciousness raising. Focusing on the conditions subjects emerge in, I argue that socially transformative subjectivities emerge in movement through spaces. The theoretical discussion departs from the premise that morally accountable subjectivities drive social change. The politics of positionality that anchor the subject in a particular social location conceptualize morality as the result of critical consciousness raising. The causal nature of the relationship between the subject's ability to reflect back on itself and its moral capacity is problematic for it leaves the reflective subject in a position of epistemic and moral authority. Rather, a subject who does not fully know itself nor the conditions of its being has the ability to engage in moral inquiry. Grounding subject formation in epistemic uncertainty construes the subject as inherently accountable to other unknowing subjects. Transformative subjectivities emerge out of epistemic resistance and uncertainty. The particular understanding of morality that underlies the rethinking of my moral subject emanates from its relational constitution. A morality of care prioritizes the responsibilities a subject has to others. In the context of Covid-19, relational subjects act in accordance with a morality of care that leads them to intervene in the lives of others who are threatened by the virus and left unprotected by institutional structures. The desire to interfere is cultivated when subjects emerge in ontological fields generated through epistemic intervention. One way to create such interventions is through counter-hegemonic cultural production such as works of art.

This thesis explores access to feminist zine culture and community, specifically if, and how, access has been altered in the age of digital technologies and increased access to digital spaces. Results from a questionnaire completed by 8 young feminist zine-makers and readers of marginalized genders indicated that though the modern boundaries of what a zine is has been expanded to include e-zines, there remains a preference toward print zines in zine-making and reading practices. Results also revealed that while there is a preference toward accessing feminist zine culture and community in-person in theory, participants were more likely to access feminist zine culture and community online in reality. This project found that digital technologies and the Internet have affected feminist zine culture in multiple ways, ranging from the Internet creating a new access points to community, to the Internet making it easier to find, purchase, and distribute zines.

Author Keywords: Digital Media, Feminism, Feminist Zine Culture, Feminist Zines, Materiality, Print Media

This thesis examines what the term "transgender narrative" represents at this particular time and location. I do this by examining various methods of transgender storytelling through different forms of media production, including autobiography, film, novels, and online platforms such as Tumblr and YouTube. In chapter one, I look at the production of novels and the value system by which they are judged ("gender capital") in transgender publics and counterpublics. In chapter two, I examine the history of the autobiography, along with the medical history closely associated with transgender identity and bodily transformation. The third chapter examines notions of violence and memorial behind the deaths of transgender people and the ways in which certain political revolutions are formed within a counterpublic. I deconstruct varying notions of identity, authorship, and cultural production and critically examine what it means to be transgender and what it means to tell stories about transgender people. I will conclude with how these stories are being shaped through social media to become more innovative and move away from the rigid value system of gender capital previously mentioned.

Author Keywords: autobiography, gender, sex, social media, transgender, transsexual

In this thesis, I explore the question of what would make Peterborough a good or "age-friendly" place to grow old(er) from a diversity of perspectives within and outside the structures of Age-friendly Peterborough (AFP). This research further explores if and/or how AFP and the Age-friendly movement more broadly, can be used as a tool for visioning and enacting more just, equitable, and "age-friendly" aging futures. To answer these questions I used semi-structured interviews with individuals either presently or previously involved with Age-friendly Peterborough, and an intergenerational and arts-based workshop, "Imagining our Futures." From the research findings, I argue that AFP has a significant role to play in making Peterborough a better place to grow old(er), while also outlining how dominant Age-friendly frameworks are limited in their ability to move us towards aging futures that are just, equitable, and "age-friendly."

Author Keywords: Age-Friendly Communities, Age-Friendly Movement, Aging Futures, Arts-Based Research, Interdependence, Successful Aging

Drawing on pedagogies of care, queer pedagogy and Foucault's concept of biopower, this critical narrative study of six women teachers at an Ontario school uses interview data to explore how teaching affects women's bodies. Findings include the dominance of men in schools; the high rate of violence against teachers committed by students; participants' unwillingness to show bodily discomfort to students; and the profound effect of motherhood on teaching practice. I call on educators and school administrators to embed care of students' and teachers' bodies into the practices of schooling. I also propose that instead of erasing teacher corporeality from classrooms, we allow students to care for teachers' bodies as part of a healthy, reciprocal caring relationship, developing students' and sustaining teachers' capacity to care. Given the underrepresentation of women's voices speaking about violence against teachers, this thesis is also a repository for women's narrated stories of assault in Ontario schools.

Author Keywords: biopedagogies, body, care, narrative inquiry, pedagogy, teacher

This thesis examines three Ontario strikes during the 1970s: the Dare Foods, Ltd. strike in Kitchener, Ontario, 1972-1973; the Puretex Knitting Company strike in Toronto, 1978-1979; and the Inco strike in Sudbury, 1978-1979. These strikes highlight gender issues in the Canadian food production, textile, and mining industries in the 1970s, industries that were all markedly different in size and purpose, yet equally oppressive towards working women for different reasons, largely based on the regional character of each city the strikes took place in. In Kitchener, the women's movement worked closely with the Dare union local and the left to mobilize against the company and grappled with the difficulties of framing women's inequality within the labour movement. At Puretex, immigrant women workers were subject to electronic surveillance as a form of worker control, and a left-wing nationalist union needed to look outside of the Canadian Labour Congress (CLC) for allies in strike action. At Inco, an autonomous women's group formed separate from the United Steelworkers of America (USWA) but struggled to overcome a negative perception of women's labour activism in Sudbury. Ultimately, these strikes garnered a wide variety of support from working women and feminist groups, who often built or had pre-existing relationships with Canadian and American trade unions as well as the left-wing milieu of the 1970s. This thesis uses these strikes as case studies to argue that despite the complicated and at times uneven relationship between feminism, labour, and the left in the 1970s, feminist and left-wing strike support was crucial in sustaining rank-and-file militancy throughout the decade and stimulating activist careers for women in the feminist movement, in unions, and on the left.

Author Keywords: 1970s, feminism, labour, left-wing, militancy, working-class

This thesis addresses the inclusion of women within Classic Maya works of art, consisting of, for this purpose, private-consumption ceramic vessels and large scale public monuments. Through the use of Feminist and Gender Theory, Performance Theory, and Iconographic Theory, the roles of women in iconographically depicted ceremonial performance is assessed. A Microsoft Access database was constructed in order to look at various aspects of female depiction, including but not limited to, bodily action, costume, and paraphernalia. The context, individual action, and associated paraphernalia of women performing numerous roles were analyzed, in which women were found to participate in many of the same roles as men, although there are some roles from which either men or women are excluded, and certain paraphernalia items with which women are not associated.

Author Keywords: Archaeology, Feminism, Gender Theory, Iconography, Maya Art, Performance Theory

Sexual assertiveness encompasses skills in refusing unwanted sexual situations and bringing about wanted sexual situations. Measures of sexual assertiveness typically assess both refusal and initiation aspects, yet there is a dearth of research examining these skills in relation to one another. The present study examined the relationship between these skillsets in women, exploring predictors of each. Initiation and refusal assertiveness were moderately correlated. Additionally, the relationship between them was not entirely explained by general assertiveness, indicating that there is something unique to assertiveness in the sexual context. Committed relationship context and erotophilic disposition specifically predicted initiation assertiveness. Less endorsement of the sexual double standard and fewer approach motivations for engaging in unwanted sex specifically predicted refusal assertiveness. Few differences emerged in predictors of assertiveness types when comparing sexual orientation groups, yet non-heterosexual women reported slightly lower levels of refusal assertiveness. Implications for sexual education, therapy, and future research are discussed.

Author Keywords: sexual assertiveness, sexual autonomy, sexual compliance, sexual double standard, sexual satisfaction, sexual self-disclosure

Indigenous peoples' sur-thrivance in global, settler colonial, historical, and nation-specific economic contexts is a broadly studied subject that fails to emphasize Indigenous economic sovereignty. Indigenous knowledges regarding the land-based relationalities which formulate an aspect of Indigenous economic sovereignty is lacking. So too is knowledge on Indigenous womxn's land and water-based relationalities from which her economic sovereignty flows. Writing within and for Anishinaabeg sur-thrivance in Anishinaabewaki, this research examines Anishinaabeg womxn's relationship with the sugar bush during the spring harvest as a site of gendered nation-specific economic sovereignty. Epistemicide has attenuated land-based knowledges in gendered ways; and, missionary and settler colonial processes in Canada, the U.S., and within Anishinaabeg communities have alienated Anishinaabeg womxn from inherent land and water-based relationships. By employing an Anishinaabeg methodology of "critically returning to ourselves" that is oriented towards Anishinaabe approaches to history and Anishinaabe ways of seeing history as worlds, this research recovers information about womxn's sugar bush relationships. This recovery begins with literary, documentary, and oral sources. Through anishinaabe feminist interpretation, I reveal that womxn's sugar bush relationships engender whole worlds that are animated and generated by her legendary connections with the natural and spiritual world, her social-economic commitment and savvy, and her enduring labour. I further interpret that her connections, her savvy, and her labour is mediated with variable aspects of settler colonial gendered influences such as patriarchy, omnipresent heterosexuality and/or gender binaries, marriage, class, and values attributed to womxn that are inconsequential to sur-thriving in land and water-based worlds. In conclusion this research tells three distinct, but connected, "sticky and sweet [story] strands" which illuminate the significance, beauty, complexity, and un-romance of Anishinaabeg womxn's relationship with the sugar bush. Simultaneously, it prompts Anishinaabeg to reflect on the worlds we have lived in, are living in now, and want to create in terms of land-based relationships and relationalities. In effort to disrupt and bring attention to the restrictions and distortions that several hundred years of missionary, settler colonial, (hetero)patriarchal, heterosexist, and capitalist forces have had on Anishinaabeg gender and relational formations, my method in writing (i.e. spelling) is to prompt consciousness of gender and relational fluidity and diversity. This approach presses for Anishinaabeg committed orientation towards the necessities and possibilities of correcting and transforming imposed and internalized settler gender and relational formations and structures. This research builds on a body of literature about Indigenous womxn's relationship with land and water in Turtle Island in order to signify and illuminate Anishinaabeg womxn's dynamic and varied relationship with the sugar bush. It contributes to Indigenous research methodology, Indigenous and Anishinaabeg women's history, Indigenous women's labour, and Indigenous literary studies.

Author Keywords: Anishinaabeg Studies, economic sovereignty, Indigenous feminism, Indigenous relationship with land, Indigenous women, sugar bush

This study examines the household foodwork of low-income mothers in Peterborough,

Ontario and considers how community food initiatives (CFIs) such as community gardens and

good food box programs can support these women in their efforts to feed their families

adequately. I draw on multiple data sources: interviews with representatives from

Peterborough CFIs; interviews with and illustrations by 21 local low-income mothers; debrief

sessions following participants' tours of CFIs; and my ongoing involvement with two local food

networks. The mothers' extensive foodwork considerations, strategies, and struggles reflect

an engagement with three main ideals that are placed further out of reach through poverty

and food insecurity. Women experienced pressure through these ideals: the "good mother,"

to take primary responsibility for their children's well-being through food; the "good

consumer," to participate in society as individual consumers; and the "good food program

participant," to avoid indications of over-reliance on food programs. Each ideal reflects the

neoliberal exaltation of self-sufficiency and its flipside, the vilification of dependence. The

research results highlight the need for CFIs to focus on the broader, systemic discursive and

material challenges that can hamper the foodwork of all low-income mothers, in addition to

addressing the immediate needs of their own participants. Towards this goal, Peterborough

CFIs employ principles of universality, social inclusion, democratic processes, and broadening

of social imaginaries. In their efforts, CFIs must navigate between cultivating collectivity and

interdependence on the one hand, and engaging with this familiar, individualizing neoliberal

ethos on the other hand. This study provides insights about the subjectivities of low-income

mothers that may be useful for CFI programming as well as more analytic examinations of the

role and impact of CFIs. It also reveals the common feminization, devaluation, and under

resourcing of the food-related work of both mothers and CFIs. In doing so, the study points to

the urgent need for broad dialogue and political action regarding poverty, dependence, caring

labour, and the roles of citizens and the state in ensuring that households can adequately

feed themselves.

Author Keywords: Community Food Initiatives, Community Food Programs, Domestic Labour, Food Insecurity, Gendering of Caring Labour, Household Food Work